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It’s also worth noting there is a great assortment of scopes within Looks and they update interactively as you adjust parameters within the Looks interface. I really wish that Colorista II was supported on Media Composer but until it is I guess the Colorista 3-Way inside of Looks is as good as we’ll get: That would be really, really nice come to think of it so maybe that can be added in the future. It would be REALLY nice if Media Composer’s built-in Tracker was available within the Looks effect but it isn’t. It is possible to keyframe the corners of the mask so you can animate a mask over the entire shot.
The Magic Bullet Looks masking controls allow for refinement of exactly how the effect is applied.Ī red mask makes for easy setup of windows.
Once the look is built you can then use the different masking options in the Avid Effect Editor to further refine the correction and how it’s applied. I won’t get into how you use MBL (try some of Red Giant Software’s tutorials for that) other than to say it is a lot of fun and you can spend hours experimenting. The Magic Bullet Looks application launches and the interface opens. Media Composer operation is simple: Apply the effect from the Effects Browser, open Effects Mode and click Edit Look… It has been around for a long time and provides unique tools with a unique interface to produce some really cool looks. Magic Bullet Looks is a stalwart of the post production plug-ins world.
But there’s so many great 3rd party color tools it often feels like a limitation when there’s so few available for Media Composer. You certainly can do some fine color correction work with Media Composer’s Color Correction mode as there’s a lot of shows you watch on tv that are graded right inside Avid (though they are often finished on Symphony). Besides the fact it gives Media Composer 6 a great new supported plugin, first and foremost it’s at least one other color grading option inside Media Composer besides the built-in color tools.
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Beside offering full Mac OS X Lion compatibility the big news is that Magic Bullet Looks now runs in Avid Media Composer 6.įor Avid users this is big news. Steinberg Cubase Elements v11.0.Red Giant Software must have been doing some work over the holidays (that or they’ve had a busy 2012 thus far) as just over week ago we saw an update to Magic Bullet Suite.Blackmagic Design DaVinci Resolve Studio 17b8.RevisionFX DEFlicker 2.0.1 for After Effects.RevisionFX REMatch 2.4.1 for After Effects MAC.
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Native Instruments Traktor Pro 3.4.2.256.
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Quickly balance skin tones, reduce wrinkles and remove skin blemishes, so your talent can look their best. With tons of fully customizable presets based on popular movies and TV shows, you will have beautiful results in seconds. With the tools in Magic Bullet Suite, your footage can instantly have cinematic contrast and the sophisticated color palettes of big budget movies. Give your footage the look of a Hollywood film. With Magic Bullet Suite, you’ll have the most powerful and intuitive real time color correction tools available, without ever needing to switch to a different app. Then, go beyond color correction, with accurate simulations of lens filters and film stocks. Balance out your shots with powerful color adjustments that work the way your eye expects them to. Magic Bullet Suite 13 gives you everything you need to make your footage look great, right on your editing timeline. Magic Bullet Suite is a set of seven tools that bring intuitive, real time color correction, and beyond, right to your editorial timeline. Magic Bullet Suite 14 – Color correction, finishing and film looks for filmmakers.
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